Produced by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in UK and Irish theaters from November 17.
